A wonderful piece by George Saunders on writing. Saunders is a short story writer, and his first novel, Lincoln in the Bardo, has just been published. He writes about how the idea for the book came to him, and what it takes to move from an idea to a finely honed piece of writing.
“A work of fiction can be understood as a three-beat movement: a juggler gathers bowling pins; throws them in the air; catches them. This intuitive approach I’ve been discussing is most essential, I think, during the first phase: the gathering of the pins. This gathering phase really is: conjuring up the pins. Somehow the best pins are the ones made inadvertently, through this system of radical, iterative preference I’ve described. Concentrating on the line-to-line sound of the prose, or some matter of internal logic, or describing a certain swath of nature in the most evocative way (that is, by doing whatever gives us delight, and about which we have a strong opinion), we suddenly find that we’ve made a pin. Which pin? Better not to name it. To name it is to reduce it. Often ‘pin’ exists simply as some form of imperative, or a thing about which we’re curious; a threat, a promise, a pattern, a vow we feel must soon be broken. Scrooge says it would be best if Tiny Tim died and eliminated the surplus population; Romeo loves Juliet; Akaky Akakievich needs a new overcoat; Gatsby really wants Daisy.
“Then: up go the pins. The reader knows they are up there and waits for them to come down and be caught. If they don’t come down (Romeo decides not to date Juliet after all, but to go to law school; the weather in St Petersburg suddenly gets tropical, and the overcoat will not be needed; Gatsby sours on Daisy, falls for Betty; the writer seems to have forgotten about his grey motif) the reader cries foul, and her forehead needle plummets into the ‘N’ zone and she throws down the book and wanders away to get on to Facebook, or rob a store.”
The article is worth reading in full–an inspiration for writers and for anyone who is curious about the craft.
Thank you to Christina O’Shaughnessy for sharing this!
Photograph: Tim Knox for the Guardian